During the course of my crime writing journey, several years ago I decided if I had a chance of coming across with any degree of knowledge where pathology and forensics were concerned, I would need a lot more information to hand than a fascination with the television's CSI!
So, I enrolled (and managed to pass) an Open University 'Forensic Science' course which, although was twelve months of hard work, has I believe been extremely worthwhile - although I still struggle with amino acids and the basics of DNA (consequently, my characters do too!)
However, there are occasions when beginners' knowledge is just not enough, and I need an expert on hand to assist. At those times, I have turned in the past to DP Lyle. And so has a fellow Triskele author, Catriona Troth, as she discusses here in an interview previously featured in Words with Jam magazine.
We are pleased to endorse Doug Lyle's services through Triskele Books.
A FORENSIC EXPERT AT YOUR SIDE ...
This is a writers’ resource I have wanted to write about for a while now – something I have used myself and recommended to lots of fellow writers: The Writer's Medical and Forensics Lab: www.dplylemd.com .
Don’t dismiss this is a resource just for crime writers. You have a character who falls ill or has an accident? You want to make sure their symptoms/treatment/recovery time are realistic? Or you want a character to be tactically out of action for a given period of time and need an illness or injury to match? The doctor can help you. He even manages to answer questions about medical practice in the past – great for historical novelists. The only thing he will not do, for obvious legal and ethical reasons, is to answer questions about any real life medical or judicial case.
Doug Lyle’s website typically receives anything up to twenty
questions a week, all of which he answers (as I can personally vouch) both
patiently and promptly. For example, on
the morning of the day I interviewed him, he had answered two questions from
the website and spent two hours on the phone doing a manuscript consultation, helping
a writer plot out an intricate medical thriller.
As well as providing a Q&A service via his website, Doug
now also produces The Writer’s Forensic Blog , based on questions he has received and
also titbits from the latest developments in forensic. But be warned – if you are into that kind of
thing at all, it is a dangerously addictive read, so don’t start looking at it
unless you have plenty of time to spare!
NOTE,
if you want to use Doug’s service, he provides guidelines on his website as to how to set out your
questions. This is partly to ensure the
questions are sensible and answerable.
(For example, it makes no sense to ask, ‘what will a corpse look like
after three weeks?’. It is a different
matter to ask, ‘what will a fully clothed corpse look like after three weeks
lying in damp woodland during mild British summer weather.’) But other guidelines ensure that your email
gets past his spam filters, and that he (and you) don’t get yourself in any
legal difficulties. It is really important that you follow his guidelines precisely if you
want your question to be answered. Otherwise
you will get a polite, stock email asking for the additional information to be
supplied.
Doug Lyle trained (and still practices) as a cardiologist,
but has written several novels himself, as well as non-fiction books on
forensics. I asked him how he came to be
the writers’ advisor on forensics and medicine. “As part of learning to write
fiction,” he told me, “I attended many writing conferences across the country.
If you’re a physician and go to a cocktail party people ask you about their
cholesterol or their gallbladder and things like that. If you go to a writing
conference, they ask you about poisons and gunshot wounds and what dead bodies
looked like and all those grisly things that we fiction writers need to know! I
began answering questions in the newsletter of the Mystery Writers of America , through a
column called ‘The Doctor Is In’. The
website grew out the need to supply questions for the newsletter.”
Doug clearly
enjoys his self-appointed role. “I’ve
always said that I learn as much from the questions as I hope the questioner
learns from my answers. I’m continually amazed at the creative minds of fiction
writers. They come up with some wild scenarios and often things that make you
think and do research. Of course the goal is to supply them with the
information they need to write a credible and publishable story.”
I asked him if he could think of any questions that were
particularly intriguing, odd or otherwise memorable. “I’ve gotten
questions that range from how Goliath died to what a severed head would look
like after floating in the North Atlantic for a month. Other memorable questions revolved around
whether a corpse would decay on Mars, what would happen if someone were shot in
the head but just as the bullet entered were teleported to another locale, how
does someone die when crucified, what was the earliest time that arsenic could
be tested for in a corpse…”
Doug has written two books (as DouglasP Lyle) that would be a good starting point for anyone who wants to pick up ageneral understanding of forensics : FORENSICS FOR DUMMIES and HOWDUNNIT: FORENSICS
So what makes for good and bad
forensics in books and television? Often
now, he says, the problem is that something that is exceedingly rare is made to
seem simple and common. “This is very
common on all the CSI clones. They usually get the science right they just have
a less than perfect perspective on what can really be done out here in the real
world.”
The ‘CSI effect’ is a well known phenomenon that
is having an impact on jurors, who are starting to expect that the sort of
rarefied forensics they see on television should be applied to every case, and
may fail to convict if such convincing scientific evidence is not forthcoming.
As a writer
himself, I wondered what advice he would give to a novice thriller writer when
it came to learning about forensics. Was
it more important, say, to pick up a basic general knowledge of the subject, or
to research the specifics of a particular story in depth?
“It can go
either way,” he told me. “I think the best advice is always to remember that
the story is not about the cool science. The story is about people and what
happens to them. What their problems are and how they solve them. The
scientific arena is merely a portion of the background chatter. So I would advise
writers who want to use forensic science in their stories to gain a good
overall understanding of the field and to dig a little deeper into the specific
areas needed for their story. The danger of course is that after you do all
this research you want to stick it in the novel and this can sometimes be
problematic. Never stop the story to give a lecture on all the cool stuff you
learned. Rather use the cool stuff to add stress to your characters.”
What injuries might reasonably be sustained by someone being
struck in the back
by a falling metal beam? How might this be complicated by smoke inhalation, burns etc? How long might the patient remain in hospital and what path
would his recovery take? (I am not
seeking to kill or permanently disable my main character, but I want his injuries to be both serious and plausible!)
Doug’s
very comprehensive answer
The beam could cause just about any type of injury. Some could be
very minor and
some could be severe and even deadly. It could be only a simple muscular
contusion (bruise) or could be a contusion of the
lung or a tear of the aorta or fractures of
the ribs or a fracture in the spinal column.
·
A simple muscular contusion
would be painful and would be treated with heat, pain meds, and physical therapy. He
would be sore for several days or a week or
so and then back to work.
·
A contused lung could cause
shortness of breath, cough, and perhaps the coughing up of some blood. This could kill
him but more likely would not. He would be
watched in the hospital for a couple of days, recover at home for a few days to a week or so, and then would
be OK.
·
A tear of the aorta (the main
blood vessels from the heart to the body) would most likely lead to death in a few
minutes to a few hours. He could survive
this but would probably require a very extensive and dangerous operation and would be limited in his physical
activities forever afterwards. This I don’t
think you would want to use.
·
Several ribs along the back
could fracture from the trauma. This would lead to a great deal of pain,
particularly with breathing. He would be treated
with oxygen, pain meds, and rest. He would be hospitalized for 3 or 4 days and then rest at home for 3 or 4 weeks.
·
If the beam fractured the spinal
column it is likely he would be paralyzed so I don’t think this works for you either.
I would suggest a severe back contusion with or without the fracture of several ribs. This would
keep him down for a while but eventually he
would return to normal.
Smoke inhalation, if it doesn’t lead to death, can damage the lungs and the bronchial tubes (the
breathing tubes or airways of the lungs). This
can lead to shortness of breath, chest pain, and coughing. Treatment is with steroids (Prednisone at 20 to 40 milligrams per day
for 3 or 4 days), antibiotics for a week
to10 days, pain meds, and time. He would be watched in the hospital for a few days then recover at home for
a week or so. If this were combined with
rib fractures, he would be in great pain for a week or so. Coughing with a rib fracture will literally bring
tears to your eyes.
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