Showing posts with label social media. Show all posts
Showing posts with label social media. Show all posts

Friday, 7 March 2014

To Tweet or Not To Tweet

by Catriona Troth: @L1bCat

It took me a long time to get into Twitter. I was resistant for all the usual reasons (what is the point of telling everyone what you had for breakfast in 140 characters or less?) but also because I couldn’t get the hang of how I could focus on people who were saying something I might be interested in.

I have to say, though, when I was finally persuaded to take it seriously, it took me about a month to go from sceptical to seriously addicted.

I didn’t tweet to begin with.  I just went looking for interesting feeds.  I started in the obvious places – the radio channels I listen to, the newspapers I read, the magazines I’d LIKE to read but somehow never have time for. I discovered that these would often alert me to articles that were absolutely fascinating, but which otherwise I would probably have missed. All I had to do was click on the link at the end of the tweet, and there they were! Magic.

Keeping half an eye on feeds like @BBCNews ensured that I could be the first to pick up on breaking news stories. A quick skim was enough to filter those stories I was interested in and the rest I could ignore. Easy, too, to pick up news from Canada, where I grew up. 

I started tentatively retweeting some of my discoveries. I even composed a tweet or two of my own, feeling desperately self-conscious. As I started exploring some of the less trodden paths of the Twittersphere, the number of people I was following exploded.  And I started to gain a few followers of my own.

At this point I should probably stop and explain a few basics for those to whom Twitter is still an alien land.  (If you are already a seasoned explorer, just skip to the end of the indented text.)

Generally speaking, if you put something out on Twitter, it is there, in public for anyone to see, whether they have a Twitter account or not. However, once you have an account of your own, you have two basic ways of looking at the Twitterverse. 

If you click on someone’s Twitter handle (a name starting with @) you will see an image, a few details about them, and then everything they have tweeted, in chronological order, starting with the most recent.  There will also be a button, next to their name, which will give you an option to Follow them.

If you now go back to your Home page, you’ll see the tweets from everyone you have chosen to follow, all mixed up together, sorted in chronological order and constantly updated.

As I discovered, it’s very easy to get carried away in those early days following all manner of people.  Suddenly your home page is updating with tweets every couple of seconds.  You can’t possibly keep track of it all and you’re missing those real-time updates that were the reason you got excited about Twitter in the first place.  DON’T PANIC.  This is where Lists come in.

Lists allow you to sort the accounts you follow into groups (and ignore those ones you followed just to be friendly and which turned out to be a little bit boring...)

For example, I am interested in writing and news about book awards.  So I have a list of people who tweet interesting things on these topics, which is quite separate from my list of current affairs feeds.  So when I want to see what is going on in the literary world, I click on that list and I see ONLY the tweets from those people I have put in that list. And when I want my 6pm news fix, I can switch to my current affairs list.

Creating a list couldn’t be easier.  Just right-click on a name of someone you follow and you will see an option to <add to / remove from lists>. Select that and you will see the names of lists you have already created, with tick boxes next to them, plus an option to ‘create new list’.

Now you are following lots of interesting people.  What about getting people to follow you?

I made a conscious decision from the start that I wasn’t going to chase the maximum number of followers.  There are apps out there that will automatically follow other accounts for you, so many per day, and weed out those that don’t follow back within a set period. They can ramp up your followers pretty quickly. But I can’t see the point of having ten thousand followers if only ten of them were actually interested in reading what I have to say.  So I focused on interacting with people who were interested in the same issues as I was.  I retweeted things they had to say that I thought were interesting, and I posted stuff I thought they would engage with. It's a slower, more organic process, but one I hope will result in more committed followers - something along the lines of what what Dan Holloway (@agnieszkasshoes) calls ‘A Thousand True Fans.’ I am still a long way from achieving that, but the goal is there.


[Note that it’s possible to use management tools like Hootsuite to schedule tweets in advance, or spread them out.  Be careful, though, about allowing management tools to auto-retweet for you.  The things they choose to retweet may not always be the things you would choose for yourself and it can be shortcut to pissing off your followers.]

Now we come to some of the more interesting, less obvious things about Twitter. We should probably start by talking about hashtags.  Unless you have had your head buried in the sand for the last five years, you will have heard people talk about hashtags.  But even people who use Twitter can sometimes be confused about what they are and how to use them.

In essence, hashtags are just a way of making it simpler to search for something. Pick a topic – say the love of reading.  You tweet something interesting about the latest book releases and at the end of the tweet you write #lovereading.  If that hashtag catches on, and lots of other people use it at the end of what they have to say about the latest books, then anyone else will be able to type #lovereading into Twitter’s search box and see a whole load of tweets about books and reading from all kinds of people, whether they follow them or not.

One of the most exciting ways of using hashtags, I think, is in association with live events.  People attending those events can be told to use a particular hashtag (e.g. #LBF13 for the London Book Fair or #ManBooker for the Booker Prize Awards night) and anyone, anywhere can get a blow by blow account of what is happening more or less in real time.  So if you wanted to be, say, the first to know who won the Costa Book Award – you could check out #CostaBookAwards.

Twitter can also be an amazing way of connecting with people you would otherwise have no easy way of contacting. 

Call me old-fashioned, but ‘friending’ someone on Facebook is quite a personal act.  It presumes some prior relationship – or suggests the desire for a future one.  ‘Liking’ a Facebook Author page, on the other hand, is quite a passive act. It places you in the role of ‘fan’.

Twitter on the other hand is both public and egalitarian.  What people say on there is consciously intended for the whole world to see. And it enables its participants to engage with one another on a level playing field.

Essentially, Twitter provides three ways to engage with other users.

As well as retweeting someone else’s tweet (which simply makes their tweet appear in your feed, visible to your followers as well as theirs) you can REPLY.  This creates a conversation thread that links tweets together.  It also sends the originator an alert that someone has responded to their tweet.

By putting their twitter name at the start of a tweet, you can send a tweet to them.  This will appear in the list of tweets in your account, but won’t be automatically shown to those who follow you (or them).

Finally you can send them a direct message (a DM) which can only be seen by you and the recipient. Personally, I am not a fan of unsolicited DMs, but they can be a useful way to follow up privately on a conversation that opened in public.

Because of what I see as the egalitarian nature of Twitter, it can be amazingly easy to connect with figures in the public eye.  Of course, those with thousands upon thousands of followers may sometimes be too busy to respond (though they often do).  But my first connection with Alex Wheatle (@BrixtonBard, author of East of Acre Lane) and Horace Panter (@horacepanterart,  bassist of the Specials), both of whom I interviewed on my blog, came via Twitter.  I didn’t jump right in and ask for an interview.  I followed them first, engaged with what they had to say, waited until they had responded to me a few times so they had some idea who I was.  But it worked! I got my interviews – and much more easily than with others with whom my only point of contact was with their agent.

Finally, people, I need hardly say, that you should not use Twitter to stand on your soap box saying, “My book’s coming out; buy my new book!” Twitter is not about being a market trader on a slow Saturday.  As Alexandra Heminsley (@hemmo) put it at Byte the Book (#bytethebook), it is about ‘creating a generous space around you.’  Be authentic.  Be interesting.  Make connections.


Thursday, 16 January 2014

Google + (Part One) ... The What and the Why.


Part One - What & Why

 

A random collection of factors came together recently to persuade me that learning the basics of Google + (henceforth known as G+) was worth an investment of my time.

  • I've read a number of predictions on blogs and press reports announcing G+ is THE place for author networking in 2014.
  • A conversation in a writing forum where I'm a member. Two writers thought they'd each been blocked by the other on Facebook as they no longer saw each other's posts. I suddenly realised I'd not seen recent posts from them either, yet, when checking their feeds discovered they were indeed both posting daily.
  • An increasing frustration with numbers on Facebook. Triskele Books, have over 300 followers to their page, yet on average less than 30 friends view each post (unless it has numerous shares) and sometimes that is down into single figures. For example, a recent book giveaway attracted dozens of entries via a weekend of posts on Twitter but not one single entry over the same time frame on Facebook.
Items two and three pushed me into investigating further and I discovered the phenomenon of 'Facebook Insights' - the ability to view measurements and statistics on your page - also has the power to place a restriction on your posts, limiting who is able to view them. On average I learned that only 12% of your friends actually get to see your updates. While I've no proof this figure is accurate, it almost exactly mirrors my own findings. Yes, there could be numerous reasons (not following Most Recent threads, not online, etc.) But I'm under no illusion that the main reason is that every time Facebook asks you if you'd like to pay to 'Boost' your views, it's holding back circulation in the hope it can make extra cash out of promoting on your behalf. How else could it offer to boost your updates when you have a finite number of friends/follows?

Hmmm. Not particularly fair or helpful you might be thinking if you hope to be communicating with hundreds, or thousands, of potential new readers. And you'd be right. Imagine your excitement when announcing your new cover, or latest five star review, to your eager audience - to discover only nine people actually saw your post and you didn't have a single Like or Share?

So, if Facebook isn't providing the service you thought you were getting, what's to say any other provider would differ? After all, we're living in the 'no one gives you anything for nothing' age, aren’t we?

One of the main benefits I found with G+ is that 100% of your friends and follows see your updates, not only that but you can organise and group followers, and select particular groups (called Circles) to update separately. This may prove useful if you have a wide range of contacts. For example, it may help on occasion to only post updates to genre writers, or indie authors, or writing groups or close contacts and family. G+ gives you this flexibility without having to set up separate Pages.

I’ve also researched G+ for Business Users. Writers increasingly, and especially indie-authors, most definitely fall under that category. There must be good reason why many businesses are now turning to G+ to promote their services. There are numerous resources and training plans offered online, but key benefits seem to include:
  • It’s rapid expansion – According to sources the fastest growing network resource ever.
  • It’s more active than you think – Over 135 million active users, 60% of which log in daily.
  • It influences search rankings – G+ Shares (called +1s) act as recommendations and influence what searchers see while logged in.
  • It improves your search engine presence – All G+ posts are indexed immediately increasing chances of visibility.
  • It offers 100% visibility - No extra costs to have posts 'boosted'.
  • It allows authored content – Enables you to link updates automatically to your website or blog.
  • It allows for local searches – You can set up a Local page (or merge into main one) so people who make regional specific searches are directed to your site.
  • Newly launched G+ Communities gives your clients, readers, followers a place to mingle and research your products. It’s a great way to get feedback and engage with followers in a meaningful way, with the options to post Public or Private messages.
So, how can any of this help you, specifically from a writing aspect? And before you groan and imagine where you're going to find another few spare hours a day to update yet another social network, let's examine a few key facts, and most importantly discuss what you - as a writer - hope to gain out of the hours you spend promoting and sharing posts online. I think it's important to spend a little time in examining the big players in social networking and deciding what, if anything, G+ can add to the mix for you. If the answer is nothing, fine, it's one more thing to cross of your to-do list.

Putting G+ aside, looking at Social Media from a writer's viewpoint, I categorise as follows:
  • Twitter : Real Time (Events and promotions)
  • Facebook : People (Updates and keeping in touch)
  • Pinterest : Pictures (Online bulletin board)
Where does G+ fit in? Well, after playing around with the site, and reading lots of research, I'd suggest Communication.

Is this something that would be useful to me? Well, yes of course. More so probably than telling my friends (or approximately 12% of them anyway) what I was watching on television that evening. Or boring the same 12% of my followers with the same news over and over.
If your answer to the question - do you want to enhance and expand your audience? - is yes (and which right-minded author would reply with a no?) then I believe G+ is the place to focus your attention.

And also this is Google. GOOGLE. I am as much of a Google junkie as I am Apple. I use Google Chrome as my main search engine. I use Gmail. Find Google Drive particularly useful. Regularly rely on Google Maps. And ADORE Google Earth. And while I'm probably a bit old to be drawn into the world of You Tube, I recognise its appeal and success.
So, why would I doubt the validity or success of G+? I've no doubt that if G+ had been launched five years ago alongside Twitter and Facebook it would be an industry leader today, but we're not dealing with a level playing field. Not yet. I am sure it's only a matter of time though. As Bradley Horowitz, vice-president of G+ said. "G+ is Google itself. We're extending it across all that we do - search, ads, Chrome, Android, Maps, You Tube - so that each of those services contribute to our understanding of who you are."

So, what does the future hold for G+? Will it explode like Twitter or implode like My Space? Research would suggest the former and that authors should get onboard now to maximise its full potential.
So, for now, sign yourself up for a Google Account if you don't already have one, find the G+ logo in your GMail inbox or on your Drive dashboard. Log in with your GMail user name and have a nosey around.

In Part Two of my G+ investigation, we will deal with Google + ... How. I'll run through how to get started on G+, pass on some handy tips for getting the full potential from your time, highlight my favourite advantages and look at future opportunities G+ have to offer.



Monday, 20 May 2013

The Hard Sell

In a pop-up blog, Jo Furniss presents her MA thesis on social media and fiction.
Featuring video and audio interviews with Kate Harrison, Nick Harkaway, Liz Fenwick, Triskele's own JJ Marsh and members of the Romantic Novelists Association, Jo asks ...
Do tweets sell books?

The short answer is: no. But well-known, well-liked writers do. That much, at least, has not changed.

Schmoozing with newspaper reviewers, touring the country for signings, promoting their wares to book clubs and literary festivals: writers have always networked socially. The select few, anyway.

But social networking online has opened up the field. Now every author – from self-published to traditionally-published, fiction to non-fiction, pulp to literary - has to play the game.

My name is Jo Furniss, I'm a journalist, writer and student. This mini-blog comprises an Industry Analysis for my MA Professional Writing at University College Falmouth. I set out to ask: what can traditionally-published writers learn from self-published authors when it comes to social media marketing of fiction - or are we all in it together?


Read what Jo discovered about authors, social media and sales in:




Jo has worked as a journalist, writer and editor in radio, TV, online, magazines and books. I spent nine years with the BBC and also freelanced for Monocle, the UN and a variety of magazines. I’m on the home straight of a two-year Professional Writing MA programme.

@jo_furniss
https://www.facebook.com/JoFurnissMedia
http://jofurnissmedia.wordpress.com.