Showing posts with label book promotion. Show all posts
Showing posts with label book promotion. Show all posts

Saturday, 3 November 2018

New Triskele Book Release - The Swooping Mapgie

"Heartbreaking drama of lost innocence, deceit and a scandal that shook Australia." Jill's Book Cafe

Cover by JD Smith Design

It is difficult for any Australian born after the feminist movement to understand the plight of being sixteen, pregnant and unmarried in 1970. The sanctity of marriage was still the vital cornerstone of society and it was impossible to envisage raising a child outside this union blessed by church and state.

For a girl bringing such disgrace to her family, it was an unforgiving world. Rather than being able to rejoice at bringing forth this new life, these girls were shunted into a world of shame –– hidden at home or sent interstate to homes for unmarried mothers.

But The Swooping Magpie isn't simply the story of a society refusing support to mothers battling to raise an infant alone. It also exposes the brutal adoption industry practices that targeted healthy newborns for infertile couples.

1970s photo from the collections of the Wollongong City Libraries and the Illawarra Historical Society

Until the mid-70s it was common practice to adopt out the babies of unwed mothers. In the 1960s, Sydney’s Crown Street Women’s Hospital was one of largest sources of Australia’s adopted babies. Patient documents from Crown Street and other maternity hospitals show that from the moment most unmarried girls arrived, their records were marked “for adoption”.

From 1950 – 1980, an estimated 250,000 girls had their newborns taken. Many claimed they were duped into signing paperwork whilst under postpartum sedation, or made to feel selfish if they kept their babies. Forced to pay this terrible price for pregnancy outside marriage, thousands of women harboured their grief, in silence, for decades.

Photo courtesy of Camille Perrat

We might ask ourselves how these women survived. Did they “just forget about it and get on with their lives” as urged by an arrogant and punitive society? The stories I heard demonstrate that frequently, the trauma of their loss never left them. Made to feel unworthy and unfit, they developed psychological problems. Some never married. Some never gave birth again.

The Swooping Magpie is on NEW RELEASE promo for only 99c/p from your favourite retailer:


If you'd like to read book 1 (a standalone) in this 1970s Aussie family drama series, The Silent Kookaburra is also available at your favourite retailer.


Cover by JD Smith Design
"Unsettling psychological suspense blending the intensity of Wally Lamb with the atmosphere of Peter James, this story will get under your skin..."


Photo courtesy of Camille Perrat


Photo courtesy of Camille Perrat
Happy reading!










Friday, 13 April 2018

Do Fictional Characters Have Ghosts?

 By Jane Davis


 St Mary’s Church in Beddington is normally bolted during the week, but on my mother-in-law’s tenth anniversary, I found the doors unlocked, and so I stepped inside and lit a candle. 

But at the same time as thinking how much Maureen would have liked the building (pointing out that the vicar would never have agreed to play ‘Fat-Bottomed Girls’ at her funeral, as hers did), I was aware of two other presences: Jim and Aimee.

Who are Jim and Aimee? They’re old friends of mine.

There’s something transportative about living in the same neighbourhood all of your life; walking around familiar geography, knee-deep in the history of the place. And superimposed over a street map carried both inside and outside your head (the housing estate that now stands on the site of your old high school), are important milestones. When you learned to ride a bike. Your first kiss. The first flat you owned. But when I started setting fiction within my personal geography, I added an additional strata.

Let me explain. In Smash all the Windows, my character Maggie takes several walks. I work in the City of London so I’m familiar with its streets, so familiar that I was afraid I might neglect the detail. As research for my novel, I walked her routes – from Tower Hill, down the Thames riverside path, over London Bridge, through Borough Market and along Bankside to Tate Modern. I made notes about all of the sights and sounds, notes that made it onto the pages of my book. But now, when I take the same walk, I think, ‘Here’s where Maggie saw the starling’, and ‘Here’s where Maggie bought her copy of the Big Issue’. Her presence is real. Particular locations are now imbued with a certain energy. And by some definitions, such a presence might be called a ghost.


In fact, ghosts are frequent visitors in my daily life. I might park in Shere at the beginning of my favourite walks in the Surrey Hills, and see Sir James Hastings crossing the square from his home, past the war memorial, to the pub he drank in, his elderly German Shepherd called Isambard in tow. (I Stopped Time). I take a short cut through Honeywood Walk in Carshalton and see the tree that caused the collapse of the wall that Judy Jones was buried under (These Fragile Things). I cross the small wooden bridge at the foot of the waterfall in Grove Park and Aimee swirls round, elbows on the rail. (A Funeral for an Owl). I come across a lone stag when out walking in Richmond Park, and somehow it is the stag that blocked Alison’s path, looking her straight in the eye (An Unchoreographed Life).

We live with our characters so long, they’re kin to us. In a way, we know them better than friends and family, because we’ve seen through their eyes and know their every thought. Every single one of these things was a memory of my own, a memory that I’ve since given to a character, and in editing my novels – that constant re-reading – I’ve made the memories more theirs than mine. You might even say that I’m the intruder. Perhaps, inadvertently, I’ve become the ghost.  


Publication Details, Smash all the Windows:
 
It has taken conviction to right the wrongs.
It will take courage to learn how to live again.

For the families of the victims of the St Botolph and Old Billingsgate disaster, the undoing of a miscarriage of justice should be a cause for rejoicing. For more than thirteen years, the search for truth has eaten up everything. Marriages, families, health, careers and finances.

Finally, the coroner has ruled that the crowd did not contribute to their own deaths. Finally, now that lies have been unravelled and hypocrisies exposed, they can all get back to their lives.

If only it were that simple.

Smash all the Windows will be released on 12 April, but you can pre-order it now for the special price of 99p/99c (Price increases to £1.99 on 12 March. Price on publication will be £3.99).

Smash all the Windows is available at all of these retailers.
 
From 13 February to 10 March, US readers can also enter a Goodreads Giveaway for a chance to win one of 100 eBooks.

About Jane Davis

Hailed by The Bookseller as ‘One to Watch’, Jane Davis is the author of eight novels.
Jane spent her twenties and the first part of her thirties chasing promotions at work, but when she achieved what she’d set out to do, she discovered that it wasn’t what she wanted after all. It was then that she turned to writing.

Her debut, Half-truths & White Lies, won the Daily Mail First Novel Award 2008. Of her subsequent three novels, Compulsion Reads wrote, ‘Davis is a phenomenal writer, whose ability to create well-rounded characters that are easy to relate to feels effortless’. Her 2015 novel, An Unknown Woman, was Writing Magazine’s Self-published Book of the Year 2016 and has been shortlisted for two further awards.

Jane lives in Carshalton, Surrey with her Formula 1 obsessed, star-gazing, beer-brewing partner, surrounded by growing piles of paperbacks, CDs and general chaos. When she isn’t writing, you may spot her disappearing up a mountain with a camera in hand. Her favourite description of fiction is ‘made-up truth’.



CONTACT DETAILS

Press enquiries: janerossdale@btinternet.com
High resolution photos available from https://jane-davis.co.uk/media-kit/